Category: SPSFC (Page 2 of 3)

SPSFC#4 Finalist Review: Bisection by Sheila Jenné

July 27, 2025 / Dave / 2 Comments

This is my second new review of a full read for the Peripheral Prospectors judging team for the final round of SPSFC#4. For more information about the team and our progress, please go to the team update page here.

The book is Bisection by Sheila Jenné. The book is available from many retailers.

Blurb

Tria and Resa have shared the same body since they were born. Like everyone on their home planet of Kinaru, their mind and body are divided down the middle: the logical right and the emotional left. Tria, the right, has a budding career as a biologist, while Resa dreams of more freedom than their home planet grants her.

When aliens land on Kinaru, Tria and Resa seize the opportunity to be the first of their people to travel to the stars. Karnath, the alien scientist assigned to study them, is convinced there is more to the Kinaru than meets the eye. But only days into the trip, crew members start turning up dead, and a mutiny redirects the ship toward a forbidden, war-torn planet—Earth.

To solve a conspiracy that threatens three planets, Tria must find out the truth of who her people really are, and Resa needs to finally tell Tria the dark secrets she’s been hiding all their lives.

My Review

I quite enjoyed my time with this book. It’s a space opera at heart, but it has some of the big concept what-if pieces central to, say, a classic Star Trek episode, where there’s an alien race who’s like us but different in one or two key ways. There are actually two such races here, and we get to explore both. Where I felt the book really shined was with the unique nature of the Kinaru species, brought to wonderful and touching life by the main character.

Plot and Characters

The book has an ongoing plot that alternates between first-contact, mystery, and thriller, but the real heart of the book are the central characters, Tria il Resa, who are two personalities who share a single body, with Tria being logical, coldly analytical, and a bit aloof, while Resa is emotional, artistic, impulsive, and romantic. It’s a little like if Kirk and Spock were forced to inhabit the same body, except that these two have always been together and are mutually respectful, caring friends.

Most of the first-person narrative is from Tria, who is accustomed to running things, as is tradition on Kinaru. The “rights” – the right-brained analytical types – are dominant over the “lefts,” who have a history of being subjugated, although it is a weird sort of beloved subjugation. We do get some chapters from Resa’s perspective, too, and it’s a real joy to see their different mindsets, motivations, and thought processes. This is the coolest part of the book – an awesome high-concept foundation, where it almost doesn’t matter what storyline you put on top of it – it’s going to be interesting to explore.

There is a storyline, though, and it crosses the galaxy to bring about conflict, betrayal, discovery, action, and even a little romance. Tria and Resa boldly stow away aboard an alien ship visiting their world, Kinaru, and after some initial consternation, they are adopted as guests of a scientific exploration ship sent to their world by the Shatakazans. The Kinaru are highly advanced socially, but they are probably somewhere near early 20th-century Earth levels of technology, so the advanced tech and space travel of the Shatakazans is something very new to Tria and Resa. The Shatakazans are reptillian and have a number of significant biological and social differences to humans, but they breathe the same air and act a lot like humans in a lot of ways, particularly personality-wise and with their wants and desires all feeling pretty human. Each Shatakazan chooses a faction tied to a philosophy, which is a neat concept to explore. Their planet is nominally democratic, or at least parliamentary, but it is more like a one-party democracy as existed in Mexico and Japan for many years, with minor factions not having much power.

We meet a bunch of Shatakazans, but the one who’s most developed is Karnath, a scientist and free soul. I had a little trouble keeping the rest of them straight, as they are numerous and have weird names, but that’s probably a me thing. To avoid spoilers, I’ll probably leave it there, but suffice it to say, there are a bunch of adventures Tria and Resa and their lizard buddies go on as the book winds its way to its conclusion, and we learn a lot more about their two societies as we go.

My Thoughts

It’s clear why this book is a finalist. It’s well-written and engaging, with some great big sci-fi concepts to explore, which it does in interesting and entertaining ways. The two-people-in-one-body concept is done really, really well. I was reminded a little bit of Heinlein’s I Will Fear No Evil, in which an old man and a young woman share a body, but this book has more to say, and the split between right-brain and left-brain identities, with the social structures that bifurcation forces on Kinaru society, makes it all the more powerful. This elevates this over some of the other books I’ve read for the competition which were simpler space adventures (although some of these are admittedly great space adventures). Bisection is thinky, in a good way, which is really great.

Where the book was a little weaker for me was in the nuts and bolts of the plot. A lot of it was admirably solid and well crafted, but there were a number of head-scratcher moments for me. Many of these surrounded plans, either by the protagonists or their enemies. These plans (both major and minor) often seemed very half-baked, where I felt like real people with the information they had might have chosen better strategies, or where the strategies they chose could well have been completely unworkable. In these moments, the people in the story became less real to me. In some cases, these questionable plans just work because the plot needs them to. In other cases, the questionable plans fail in completely predictable ways. As a repeated example, nobody in this book is any good at all at holding onto prisoners. Like, zero good jailers here. Major failures of basic jailing. There’s also a bad-guy plan at the heart of the adventure plot that is something that seems both ill-fated and poorly conceived, and yet it functions far better than it seems like it should, with the help of a local government acting in in a way I thought was not at all how it would act (or could act) in the situation presented.

There are a couple other minor bits that itched at me while I read. There’s a huge, huge mysterious coincidence the characters discover early on which cannot be anything but deliberate and engineered, but the explanations they float for how it could be (a weird intersystem comet, mostly) are not something serious scientists would entertain, or at least not phrase that way. Another thing that bugged me a little was the communication. Like Star Trek, there’s some universal translation going on here, but once it’s established, it’s basically perfect and almost never commented on, even when I wondered how certain parties would have gotten one of the translators. Of course, Star Trek does this shamelessly, even having the latex lips of the aliens form English words, so it’s not a big deal, and it would make any space opera a lot harder to read. Finally, there’s at one point a pretty major revelation which felt a little like a Greek god interfering in the mortal realm. For me, this took a good bit of agency away from the main characters, but it’s explained pretty well and leads to a few of the book’s absolute best moments, one of them completely, gloriously unexpected, so it’s forgiven.

All of these are minor nitpicks and easily ignored. The story is really about what happens when a race of people has one key difference from our own society, and the beauty of the book is how that plays out in their lives, their relationships, their culture, and their thoughts. The dawning realization of Tria that she has fundamentally misunderstood Resa, her closest friend, and in fact fundamentally misunderstood personhood, society, and basic humanity, is A-plus, gold-medal stuff, written beautifully. I loved it, and while I wished there was a little more of that and a little less of the action plot, I’ll happily take what I was given, and what Jenné chose to write.

Summation

If you’re up for a big-concept sci-fi story, hearkening back to those big concepts that Theodore Sturgeon and Philip K. Dick explored in sci-fi’s classical heyday, Bisection delivers. The beautiful, evolving, respectful conflict between the two main characters, one out of place in the galaxy, one out of place in her own society and her own body, is great, great stuff.

SPSFC#4 Finalist Review: On Impulse by Heather Texle

July 16, 2025 / Dave / 0 Comments

This is my first new review of a full read for the Peripheral Prospectors judging team for the final round of SPSFC#4. For more information about the team and our progress, please go to the team update page here.

The book is On Impulse by Heather Texle. The book is available from many retailers.

Blurb

When the Department trained me to catch criminals, I never dreamed I’d become one.

Agent. Suspect. Intergalactic fugitive.

I was one of them until I shot my partner in self-defense. Even though the Department cleared me of wrongdoing, my co-workers didn’t agree. They turned their backs on me, so I turned my back on them.

My partner’s actions never made sense. After ignoring my gut for a year, I asked my tech-genius best friend to dig into it. Now Jarrett’s gone dark, and I soon discover he’d been brutally murdered. An officer finds me standing over the body, blaster in hand. Even I admit it looks bad.

There’s no way I can trust the Department to investigate further—not if I’m already the prime suspect. My only option is to run. Is it impulsive? Sure. Will having law enforcement dog me across the galaxy make life difficult? Most certainly. I’ll have to stay one step ahead of them if I want to solve Jarrett’s murder and clear my name.

Doing that will require every trick the Department taught me—and a few I learned on my own.

My Review

I really enjoyed my time with this book. It’s a fun space opera romp with elements of police procedural, spy thriller, heist, and corporate villainy. There’s a plucky, engaging heroine (with the badass name of Reliance Sinclair) and a deep cast of secondary characters, even including a bionic guinea pig and a ship AI masquerading as a robotic cat. The AI designer has given the ship the temperament of an actual cat, which is a hoot.

The story is constantly in motion, with Reliance outwitting and evading or falling prey to many factions of enemies on her personal quest to figure out who killed her friend. The setting is some time in the future after Earthlings have spread out and terraformed and colonized many other worlds, although there are still people on Earth and Mars. There are no aliens or alien tech in the story – just a variety of human worlds, sometimes with interesting quirks like gravitational or climate differences or interesting (and violent) planetary histories. The worlds are more Earthlike than in some space operas, with regular Earth foods, animals, and plants.

Plot and Characters

The book happens in several phases, each with a different plot focus, but the first big chunk of the story is Reliance investigating the death of a friend, a fellow officer when she used to be a space cop. It’s an intriguing mystery which quickly gets her deep in the middle of danger from a bunch of directions, and Reliance sneaks and fights and wheedles and lies her way across multiple worlds.

The story is always interesting as Reliance unpacks more of the story and then gets herself emmeshed in what is going on. It’s interesting when she reflects back on her past as a space cop and when she uses skills or contacts from that time to advance her current objectives. She’s a fun character – resourceful, snarky, ass-kicking, and just a good time. The book is entirely within her first-person perspective. The other characters get less screen time, although we do meet a few criminals and spend more time with a set of cops who pursue Reliance through most of the book. I particularly liked a tech specialist cop named DeAjamae when she was hacking things – her constant patter of anger and expletives at the computers and systems she was using was really fun.

The inclusion of migraines in Reliance’s character is an interesting choice that gives her depth, and they play into later developments in a neat way. It was interesting to see a character having to deal with a chronic medical problem, and her coping mechanisms sometimes worked and sometimes didn’t.

My Thoughts

It’s clear why this book is a finalist. It’s well-written, fun, action-packed, and a good read, the kind you feel happy about when you’re finished. There’s fighting, action, some sad bits, and a really strong main character. The worlds Reliance visits aren’t always described in detail, but you get a sense of how many of them work and how the human society works overall.

If I were to pick at something, it would probably be some plot developments where characters interacting with Reliance make decisions that seem foolish or out of character but without which either Reliance wouldn’t survive or the plot wouldn’t progress. There were a few moments that reminded me of Scott Evil from Austin Powers lamenting, “Why don’t you just shoot him?” In particular, a decision by a certain bad guy as Reliance starts to figure everything out seems terribly risky and foolish.

It wasn’t just the big decisions – there were also small head-scratcher opponent decisions that let Reliance escape or avoid detection or wiggle out of tight spots. All of these let the story continue, and it’s a fun enough story that it’s not a big deal at all, but I found some of them pulled me out of the story while I thought about smarter things Reliance’s opponents could or should have done. There were also a couple of times where Reliance instantly has a unique answer to a problem, or a contact who can help that we didn’t know about before, and I think it would have helped credulity if those were hinted at earlier rather than popping into the narrative just as they are needed.

One other minor quibble was some lack of clarity on how advanced various technologies are and how they work. Tech seems quite advanced in some ways (terraforming, space travel), while in others it seemed more 21st century than 25th or whatever (e.g. physical drives and servers). Some of the tech didn’t quite seem consistent, either – I was never really sure how stuff like interplanetary communications and networking functioned, or how the blasters worked, or how injured somebody got when they were stunned, or how long the stunning was supposed to last. But those are problems every Star Trek series has run into also and mostly failed at, and only uber-nerds probably care.

All of those are minor nitpicks and easily ignored. The story achieves its main goal very ably, which is to tell an exciting, kick-ass, funny story with a charismatic heroine and a gallery of heroic and/or hilarious sidekicks and vile villains.

Summation

If you’re up for a fun romp with a lot of great futuristic plot elements and a main character who’s really easy to cheer for, then On Impulse is definitely for you. Because of my schedule, I actually ended up listening to this one via a text-to-speech app while driving to DC and back (11 hours or so round trip), and it made the miles fly by (even when the algorithm insisted on saying “spacedock” as “spacey dock”). A good time, and a book I’m glad I had a chance to read.

SPSFC#4 Semifinalist Review: Yours Celestially by Al Hess

May 31, 2025 / Dave / 1 Comment

This is my third review of a full read for the Peripheral Prospectors judging team for the semifinal round of SPSFC#4. For more information about the team and our progress, please go to the team update page here.

The book is Yours Celestially by Al Hess. It is available from Itch.Io. Al also wrote Mazarin Blues, which was a semifinalist in SPSFC #1.

Blurb

From the author: Yours Celestially is a cozy, gay, and extra weird sci-fi that I hope you fall madly in love with. There’s a biblically accurate A.I., completely bonkers visuals, and bionic penis jokes. It’s set in a hopeful, queernorm, and diverse city full of plants, cute bakeries, cob houses, and found families.

My Review

This is a warm, funny sci fi story about a few people with challenges, both external and self-imposed, who lean on each other and their friends for help and for hope. Some interesting sci-fi concepts are mixed with heartfelt romance. This was without a doubt the most feel-good book of any I’ve read for this competition, and it is well worth a look.

Plot and Characters

There are two POV characters in the book. One is Sasha, a man who’s recently gone through a paid resurrection. This service, provided by a high-tech company, is pretty readily available, and many people make use of it. For most, it is an insurance policy against an accident death or fatal illness, but in some interesting cases, people with self-destructive habits or behaviors die and come back too. Sasha is one of these, an addict whose life fell apart well before his death. As the book opens, he’s recently back from the dead and trying to do better by his friends and family, but he’s not doing great despite their support.

The other POV character is Metatron, an AI construct created by the resurrection company. Metatron helps people going through the resurrection process. Their minds and personalities are digitally recorded, and when they die, they spend a little time in Limbo, an artificial reality, before new bodies can be grown for them and their psyches can be reimplanted.

The wall between Limbo and the real world should be impregnable, but Metatron is a caring protector and helper, and they sometimes connect the deceased with the real world in special cases. In Sasha’s case, though, he is awash in Metatron’s emotions despite having completed his resurrection. This shouldn’t happen, and it’s significantly affecting his health, both physical and mental, in the real world.

There are a host of other characters, some with major roles, others more secondary, and the little communities each of the main characters inhabits are the real joy of the book.

My Thoughts

The sci fi in this book follows a common trope – a world much like our modern one but with one additional mysterious bit beyond our reality. In this case, that’s resurrection, and the book explores the process, the outcomes, a little of the social controversy, and some of the technology Hess imagines for such a world. The weird futurism isn’t the point here, though. The point is following both of these protagonists as they make parallel journeys towards courage, self-acceptance, and love. The journey for each is different, but both are well-described and made meaningful both by the characters themselves and by the reactions of the people they interact with.

That’s not to say there isn’t tension or setback or betrayal or machinations – there’s some of each – but the focus is really on the two leads becoming whole. In Sasha’s case, that’s fixing what was broken, and in Metatron’s case, that’s discovery of how much more is possible than constraints would seem to allow.

There is real joy here, as both of these people, one damaged, one a victim of circustance, find ways to get to the love they want and need. And the feel-good part of the book comes from the people rooting for each of them to succeed. Both have wonderful found families, and the richness of their relationships with those others is what leaves you smiling when the book is done. Much of the story arc wouldn’t be out of place in a Hallmark movie, but the characterization is deliciously rich and deep here, and of course you don’t see Hallmark movies featuring AI angels or spare bodies grown in vats.

My only criticism of the book isn’t a big one at all – I just found the opening 30% or so to be a little slow, with both characters spending a lot of time wallowing in their problems and not taking much action to resolve them. Not a big deal, and the payoff when they both stepped up was well worth it. Some big twists revealed in the second half keep the story hopping and make you fear for these people you come easily to care about.

There’s some woo-woo stuff here that’s plot-convenient and never really explained. It’s kind of written off as “we don’t really understand the full mechanics of the resurrection process,” but to me, it seemed like you still needed some magic to produce the effects described. Again, no big deal, and explaining it would have diminished the magic of the story, so I think it was a good choice.

Summation

A delightful, well-written, unabashedly feel-good story about love, redemption, and found family. Highly recommended.

SPSFC#4 Semifinalist Review: Eat by Jesse Brown

May 14, 2025 / Dave / 0 Comments

This is my second review of a full read for the Peripheral Prospectors judging team for the semifinal round of SPSFC#4. For more information about the team and our progress, please go to the team update page here.

The book is Eat by Jesse Brown, sometimes subtitled Sigma: The Sum or ΣΔΤ Book One. The book is available from Amazon.

Blurb

Welcome back to the food chain…

A chunk of white rested inside the dip of her collarbone. She fished it out and flicked it away, its rattle echoing as it bounced under a display table, alerting her to the silence. The ringing in her ears had finally stopped. The mask and goggles were long gone; fallen off in her haste. Pointless to wear them now, anyway…

Caede wants to complete her master’s degree, refresh her dating profile, and finally join the land of the living. Instead, she wakes up on a cold, wet pavement, surrounded by dead bodies and ferocious monsters. Kai waits anxiously for his sister to return from the world’s longest night shift. Ravi hides under a desk in his office, and Efia lays unconscious in a garage.

Jonathan, recently dumped and drinking himself to death in an empty flat, is waiting for the end to come… until a grizzly attack sends him stumbling into the path of Caede, and all the horrors of an apocalyptic London.

My Review

Note: There are some minor spoilers about the nature of this particular apocalypse in the review below – it’s something that you find out at least in basic terms in the opening chapters, but if you want a clean read, you should probably stop here.

This is a tight, tense story set in a peri-apocalyptic London, covering only a handful of days as survivors struggle to deal with the new, shattered world created by a rogue military virus that has killed most of London’s population. The danger and the action run almost non-stop, with violent animal-human hybrids roaming the streets along with a few other survivors. The small group at the heart of the story often has to fight or flee to stay alive.

Plot and Characters

We see this world through several perspectives, including Jon, a graphic designer who was about ready to give up even before the world went to hell, Caede, a waitress and student trying to take care of her brother Kai, a nurse, a doctor, and a virologist/geneticist. We spend the most time with Jon, but we get chapters or sections from the perspective some of the other characters as well.

For me, the characters were among the strongest parts of the book. Each is different, and each has a distinct attitude and voice and manner of speaking. All are dealing with the trauma of the world ending in different ways – some with despair, some with competence, some with violence. They were an interesting group to spend the apocalypse with. There are a few spots where there’s a little bit of head-hopping or floaty perspective, but those are minor and easily followed.

Because the book is set so close to when the world ends, the characters are all reeling, trying to cope and survive (or not trying very hard), some of them clinging to what they’ve lost, others (like Luna, a side character I’d have liked to get to know a little better) seizing the opportunity to make some big changes and take initiative. In that respect, the book reminded me a little of A Quiet Place: Day One, where you see things fall apart, and there’s plenty of action and drama, but where you’re not going to get much of a sense of what new world will arise from the ashes. This was in contrast to the other post-apocalyptic SPSFC finalist I just read, St. Elspeth, which happens years after the fall, and where the workings of the new world are the point of the story.

This timing and setting means the plot, like the Quiet Place prequel, is mostly jumping from danger to danger, with the main characters having only immediate survival goals and not much of a longer perspective. That’s exciting, with plenty of gory battles and narrow escapes, but also a little limiting – I would have liked to have the characters zoom out for a little bit at least to try to figure out their new context and do some bigger-picture thinking.

My Thoughts

There’s a lot to like here, especially with the characters, who are richly drawn and interesting (although sometimes frustrating – I’m looking at you, Jon). Their relationships and banter are fun and give the story heart. Some of the characters get pushed to the side some as the story progresses – they’re present, because the protagonists wouldn’t abandon them, but they don’t really have much to do, and we stop hearing from their perspectives much. I might have preferred to hear more from them as we went, particularly Luna and Efi. Efi gets more stage time in the middle, but it would have been cool to spend some time in her head towards the end as she starts to cope with what her life has become. There’s also something really interesting going on with Caede and her mind that’s never fully explained. I was curious if that was just her psyche or if she’s been affected by the virus somehow, but it fades away after a big fight she has.

There were some parts of this that strained credulity for me a little, but that could just be me being picky, which I tend to do. The source of the human-animal hybrids is explained, including in a fair bit of detail in an epilogue-like chapter, and the rapidity of the genetic alterations required is addressed, but it still seemed like this is not something that could ever actually happen, particularly with the variety of animals incorporated and the specific traits expressed. Why are there no plant people? I know I should just accept the horror-movie premise and enjoy monstrous animal people, but I took enough biology to make me think about the details.

In addition to the science, I had a little trouble with some of the human nature bits. Nearly all of the animal-human hybrid people we meet are sadistic sociopaths. Some are mute and apparently non-sentient, so that fits, but others have descended into cannibalism and depravity within a week or two of the world ending and have abandoned all semblance of morality despite retaining their minds. Maybe that’s something the virus does to you, but it made the monsters kind of one-note. If they’re smart enough to carry on conversations and strategize, it seems like they might be thinking bigger picture rather than just picking off survivors in the rubble. Also, they don’t seem to fight each other much (with some exceptions), instead banding together on Team Chimera for reasons that aren’t really clear.

The human team we follow, too, never really has any discussion about the long term, except for a little bit on one page about laying in supplies for winter. They also have almost no discussion of the extent of the damage to the world. I know they’re focused on the immediate dangers, but I think it would be human nature to wonder if the whole world has collapsed, or if it’s just London that’s affected. Is the whole planet reduced to savagery, or is it just around the Thames? Can you find a satellite phone anywhere and call somebody? Will the British Army be rolling in once the dust settles? Are there outsiders who can help? How will we feed ourselves sustainably once the shops are looted?

One other quibble, not a big one, is that the rag-tag human survivors seem really, really competent at monster fighting and weapon-improvising, which is not a skill set I’d expect them to have (except maybe Jon, whose rugby background at least includes some physicality). Either that, or the chimeras are vastly overconfident and their danger overrated.

But all of those are nitpicks. The core of the story is a fun one, definitely reminiscent of a scary Saturday afternoon at the movies, with action, romance, loss, heroism, and emotion. There’s no shortage of excitement and drama, and Brown does a great job of providing a steady stream of action and banter and character development.

Summation

If you’re up for a bloody apocalypse book with weird creatures, human struggles, and characters you’ll care about, Eat has got you covered. Just be careful about what you inject, and don’t trust those government blokes.

SPSFC#4 Semifinalist Review: Saint Elspeth by Wick Welker

May 8, 2025 / Dave / 2 Comments

This is my first review of a full read for the Peripheral Prospectors judging team for the semifinal round of SPSFC#4. For more information about the team and our progress, please go to the team update page here.

The book is Saint Elspeth by Wick Welker. The book is available from Amazon.

Blurb

When they appeared across the sky, speculation wheeled around the world—the aliens were from heaven, the invaders were from hell… or they were proof that neither existed. But when they landed, curiosity gave way to suspicion and the nations reacted with nuclear force, setting off a chain reaction that left the world in ruins.

Twenty years later, instead of nearing her retirement, Dr. Elspeth Darrow struggles to forget the loss of her child and husband by plunging herself into the work of operating the last remaining hospital in San Francisco. With medical supplies running out and working herself to exhaustion, Elspeth must embark on a risky salvage mission into the heart of the Neo California danger zone. Here, she discovers the disturbing truth: the aliens have returned.

As the mystery of the aliens’ purpose on Earth unravels before her, Elspeth must hide what she discovers from reactionary despots, all vying to bring Neo California under their control. Aided by a band of pre-war scientists and new-world medical students, Elspeth races against astronomical odds to reveal the terrifying truth that might save the world—or finally destroy it for good.

My Review

This was a really engaging read for me. It wades deep into fertile sci-fi waters, with elements of post-apocalyptic fiction, alien invasion, and first contact. There are deep mysteries to figure out, but there’s also the unrelenting struggle and pressure of humans trying to survive in the wreckage of 21st century society, greatly diminished.

Plot and Characters

I can’t say much about the plot here, because a lot of what I might get into would be spoilers. The setup, though, is that we’re following a jaded, broken woman, the Elspeth of the title, who runs an understaffed and undersupplied clinic in the ruins of San Francisco. After the appearance of organic alien pod ships in the skies, there was a fairly extensive nuclear exchange as humanity struggled with how to respond and fell to fractious wars. Small groups of humans hunkered down in bunkers until it was safe to emerge, and now they are back above ground trying to make a go of it. The aliens, the Hilamen, never took action against the humans, and nobody can really figure out what their purpose was.

Elspeth has a great voice, and her weariness and cynicism combine with perseverance and compassion to create an engaging and conflicted character, one who you can certainly cheer for. She occasionally drifts towards somewhat frustrating maudlin spells, but those are understandable, even if they don’t necessarily move the story forward. She’s got a past (and present) full of loss, and she thinks she’s going through the motions in her clinic just because she doesn’t have anything better to do.

There are a host of side characters, good and evil (or both), venal and noble (or both), heroic and dissipated (or both). Almost everybody in the book is complex and rich, which is a real treat.

My Thoughts

I mused about halfway through that reading this felt like I was playing Fallout or The Last of Us, which was funny, because Welker says in the author’s note that he was playing The Last of Us while writing. There are some great post-apocalyptic tropes here, with ruined buildings, nature taking over, and people succumbing to bravado and militarism, hoarding salvaged resources, and facing hardships now that society and its laws and comforts have vanished. There are even giraffes from the zoo, which must be a TLoU homage. All of this part works well and seems gritty and believable.

There’s the additional dimension of the mystery of the Hilamen, who initially seem not to be doing anything. They just arrived, inadvertently triggered humanity to tear itself to pieces, landed, and vanished. That mystery is a really fun one, and it has a satisfying answer that’s pieced together as the story unfolds.

There is a ton of very real-sounding medical procedure in here, which makes sense, as Welker is an ICU doctor. There’s also some very interesting xenobiology. That part is left a little mysterious, although it’s partially explained in the plot through scientific observation by people making reasonable guesses based on the information they have. I couldn’t tell you at the end exactly how the Hilamen work in terms of physics and biochemistry, but there’s enough there to be satisfying.

Where I had more questions was with the climate and environment and politics of this post apocalyptic world. The social structure of the various California colonies is well-described, and the future history makes sense. There are occasional references to other parts of the world, but the geoscientist in me wanted to know a little more about the extent and distribution of the fallout, not to mention the climate change that seems to have engulfed parts of California and caused sinkholes and flooding and formation of significant new rivers. The sci-fi fan in me wanted to know better how the rest of the world was functioning too. But what we get is engaging and real enough, and those parts aren’t the focus of the story, and going into more detail wouldn’t really have added anything useful to what’s already a pretty long narrative.

The pace of discovery, the use of the scientific method, the victories and losses, the questions of morality and human nature, and the odd but satisfying way many characters had of changing their own goals and mindset in response to their experiences all contributed to a rip-roaring narrative full of interesting pieces.

The book is very well-written and well edited, with only a handful of typos in what would be a 400-page large-size paperback. Welker’s use of metaphor and imagery is really neat – not overwhelming or flowery, just fun and a little magical when it shows up.

Summation

I greatly enjoyed my time with this. Elspeth is a really engaging character, and her voice and attitude are refreshing even in a world that is mostly going to hell. Amidst the ruin and brutishness, there is some hope (mixed with despair and ambition, to be sure), and the story takes you along a number of unexpected but rewarding turns along a road to a satisfying conclusion. This is a really good book, tightly crafted, full of adventure and humanity, and quite worthy of the SPSFC semifinals.

SPSFC#4 Quarterfinalist Review: Da Vinci on the Lam by B.D. Booker

March 7, 2025 / Dave / 1 Comment

This is my fourth review of a full read for the Peripheral Prospectors judging team for SPSFC#4. For more information about the team and our progress, please go to the team update page here.

The book is Da Vinci on the Lam by B.D. Booker. The book is available from Amazon.

A note on my judging for Peripheral Prospectors: We split up the team’s books between us, because six quarterfinalists was a lot to get through (although one judge did manage to read them all). We made sure each book got a fair shake – all quarterfinalists got at least three full reads and ratings from our six judges. I was not able to get through all six before the deadline as I had hoped, but I intend to read and review the other two quarterfinalists I didn’t get to yet (Whiskey and Warfare and Afterburn) regardless of which of our six progresses to the semifinals.

Blurb

One week. One chance. Earth is dying as a fungal ‘grit’ and dust storms smoother crop lands and destroy the oceans. The rich flee into space, leaving the poor to die off. But if gunslinger Artis Quinn delivers a priceless da Vinci artwork to an offworlder hub on the other side of the country, his family will get tickets off-world. Yet the true end of the world might arrive sooner than expected and Quinn will have to fight his way through the ruthless Onyx Group to succeed.

My Review

This was an exciting, grueling tale, set on a dying Earth, with humanity on the brink of extinction. The near-future mentioned shows a not-too-recognizable America in the midst of a climate collapse, with food supplies failing, technology rusting away, the political system in chaos and corruption, and people living and dying in hardship, although some lucky few have the money to live in domes or still have real food, and a rarefied elite make it off-world to colonies on other planets.

This is the setting. The core of the story, though, is something else, played out across this desolate landscape. At its heart, it’s a very long chase, with our heroes (semiheroes, at least) Artis and Julia trying to spirit away a stolen Da Vinci sketch while the previous owners try to recover it, not because they like art, but because somebody even more important than they are want it.

Plot and Characters

I kind of did the plot above, and there’s actually not too much more to say. The book alternates POV characters from good guys to bad guys to shadowy bosses, but it always returns to showing what the good guys are doing to try to achieve their goals (which turns out to be a huge variety of crafty stuff) and what the bad guys are doing to try to thwart them (which involves a host of spy-ish stuff and advanced tech).

The two leads, Julie and Artis, are a fun pair to follow. They’re both full and realistic (at least in this world) and their backstories get fleshed out as the book progresses. Their motivations are complex and shifting, and they form a bond and partnership together that’s engaging and fun. Artis is an archetype – a world-weary ex-special-forces drifter who’s a complete badass, the kind of character Sylvester Stallone would both act and direct himself in a 1980’s movie that got 2.5 stars. But Artis is deeper than that, with some real charm, some fallibility, and lots of regrets.

Julie’s a little softer focused – she gets less POV time – but her shifting loyalties and her fish-out-of-water experience are interesting and well done. She has crises of conscience that seem real as her basic mission becomes a lot more complicated, and as the costs mount.

The bad guys aren’t as well developed, as they’re kind of locked into being part of the bad guy team, and they don’t have a lot of agency other than to follow orders or die. A couple of them get a lot of POV time, but most of that is them just being fooled or seeing through ruses. We get pretty deep into a kind of middle management bad guy, Big, but to be honest, he’s not that interesting, and he too is basically just doing what he’s told and what he has to. The other baddie we see more of is Aveev, but he gets repetitive rather than deep. There were multiple scenes of him thinking hard, valuing and assessing his soldiers, and regretting that he was lying to them. About the fifth time he has a chapter like that, without much new, it gets a little stale, because his motivations and mission haven’t changed, and he hasn’t developed.

My Thoughts

The big win here is the desolate world, full of people barely hanging on. We gradually learn more about how this happened, but basically the world is covered in “grit,” a fungal dust that ruins crops and foods and infests everything it touches. There are elements of Mad Max and other broken-world futures in here, but this is fresh and told well, with little vignettes and encounters with colorful wasteland folks. I liked this part, seeing how various people were finding work, keeping alive, and dealing with severe hardship. The various adaptations people have made to handle the gritstorms and starvation are interesting, as is the social stratification we sometimes see.

The plot is exciting, too – very action-movie-ish, with escapes and mad dashes and crappy vehicles barely holding together and gun fights and trains and cannibals and cool shenanigans. All of this is good stuff, but the problem I had was that, while this was a cool action movie, it felt like a four-and-a-half-hour action movie, one where the plot didn’t change much at all from start to finish. The characters grew and developed, and some stuff was going on in the world, but the clever-ploy/evil-scheme tennis match went well into extra games, and my neck got tired. There started to be some cheats to increase drama, too – stuff that the characters knew but weren’t telling us, making them unreliable, and cheapening the tension a little when we found out. Also some seemingly uncharacteristic own-goals from the good guys and unrealistic “Aha! I’m here when I couldn’t possibly be” moments frmo the bad guys. But in the end, it was satisfying. The end was maybe a little contrived (and oddly rushed after so much stasis), but I enjoyed the journey, even if I might have preferred a shorter route.

There were occasionally some info-dumpy parts about the world. Booker usually does a good job of revealing these things in the characters’ voices, but sometimes it’s clear he just wants us to know how stuff works and is going to spend a page or two telling us. It’s cool stuff, so that’s forgivable, and it mostly reads fine. There are a few times where an aspect of the world is told over again, even three or four times, when it’s already been detailed earlier, and that can get frustrating, especially in a long book.

In terms of writing, the worldbuilding and the characterization of the leads are great, the dialogue snaps, and the detail is rich and interesting. The editing is a little rough, with more grammar and structure errors than you’d see in a traditionally published book. A fair number of comma splices (though not nearly as many as Transference), some word errors (characters repeatedly pouring over things, riff raft, etc.) and such. Not enough to detract from what is at its heart a good book, but something maybe to work on in a 2nd edition or rerelease.

Summation

I enjoyed my time with this. The fundamental lunacy of two people worrying about a 15th century scrap of art as the world is ending is a lot of fun, and the writing was cinematic in a good way. I really liked the main character throughout – he has a great world-weary badass thing going. I thought it was longer than it should be, and a bit repetitive, but I’ve been known to eat more cake than I should at times, and even where this dragged a bit, it tasted good.

SPSFC#4 Quarterfinalist Review: The Transference by Ian Patterson

March 5, 2025 / Dave / 0 Comments

This is my third review of a full read for the Peripheral Prospectors judging team for SPSFC#4. For more information about the team and our progress, please go to the team update page here.

The book is Transference by Ian Patterson (author site here). The book is available from Amazon and BookShop.org.

Blurb

Nicholas Fiveboroughs is a Sicko, someone that takes on others’ illnesses. In a city where diseases can be transferred, the rich buy longer lives without pain, and the poor get a short life of constant sickness. Maybe it was fate, or maybe someone is looking out for him, but after Nicholas barely survives his latest affliction, he gets the chance to try and change things. To finally stop the whole disease transfer network.

Tensions escalate as Nicholas infiltrates a higher society he doesn’t understand, and starts to fall for the very person he needs to manipulate to be successful. And between run-ins with a talking animal and genetically modified humans, the world around him just keeps getting stranger. Can Nicholas tear down the disease transfer architecture? And can he do it without losing his own humanity along the way?

My Review

This is an exciting, imaginative story about a dystopian society and a man who wants to overturn it. There are some great sci-fi concepts here, including big moral dilemmas, ambiguous choices, and surprisingly, some anime-style fights.

Plot and Characters

I don’t generally want to spoil stuff when I review. The blurb above does a great job setting up the central plot. A man who should be dead assumes the identity of someone of far higher social status, with the goal of undoing the malevolent technology at the heart of this dysfunctional, immoral society.

We stay with Nicholas Fiveboroughs here through the whole book – a single perspective, first person. (Everybody here has a normal first name and then a surname that’s the district in the city where they live.) He should be stuck in the impoverished bottom tier, but through some personal initiative, good friends, and luck, he moves up. He’s on a mission, which is clear from the opening, and most of the book is him trying to accomplish that mission, although he ends up lost at times in the wealthy world he infiltrates and in the identity of the man he’s replaced.

My Thoughts

The initial premise for this story is a great one, worthy of the titans of classic sci fi, or of one of those really cool Star Trek episodes where the crew visits a new planet and realizes their whole society is based on an immoral premise (where then the bridge crew get to judge them and make big speeches). It also invokes memories of some of the recent big dystopian hits, like Hunger Games, Divergent, or Maze Runner, where there’s a horrific society that imposes pain and suffering on some groups for the benefit of others. Like those societies, this one doesn’t always make sense or seem workable, but it’s still a fun concept to explore and provides ample fertile soil for drama and class struggle.

Here, we have a world where the wealthy can avoid sickness and death by paying the poor to take on their diseases – the kind of thing that would be perfectly at home in an Ursula K. LeGuin story (e.g. Omelas) or Philip K. Dick. The more severe the illness, the higher the cost, but if you have the money, you can even pay someone to take on your stage-four cancer and die for you. The poor are willing to do this, because they live a life of extreme deprivation, forced to eat bland food that comes in cubes, held in utter poverty their whole lives. Sometimes, people will volunteer to die of disease to earn money to raise their families out of poverty, something that Nicholas’ dad did for him and his mother, though not very far out of poverty, since they still live in the cube-eating ghetto.

This concept is well described at the book’s opening, and I thought we were in for a thinky, morally thorny book about such a society. We mostly don’t get that, although there are times where it comes back to the fore, especially in a heartbreaking scene involving a servant and his child. Almost immediately, and with little groundwork, we’re launched into a vendetta story, where Nicholas tells us he is enraged by the world he lives in and wants to tear it down. I say “tells us,” because this is all described by Nicholas in the first person present tense in the early chapters. There are references to events he’s seen and poverty and privation he’s witnessed, but they’re all in retrospect, not directly visible to us. I think it would have been better to actually experience more of the deprivation and anguish that motivated Nicholas, which we do in places. Instead, you kind of have to buy into his framing of the society and accept his single-minded rage.

After this short intro, the book does what it will do a couple times – become a different book about a different thing entirely. We leave behind the sickness transfer and focus on another great concept for classic sci fi or a Star Trek episode: this society has the ability, through genetic modification and a kind of biologic reskinning plus memory recordings, to allow one person to take on the appearance, memories, and personality of other people. Nicholas does this to access the life and household of a wealthy socialite, to further his mission to destroy the sickness-transfer process. He’s a little short on details of how he’s going to do this, but it’s fun to see him try.

Again, we have a topic (identity transfer, and a man trapped in another man’s life – very The Return of Martin Guerre) that could have been a whole, cool book on its own, and we spend some time there, but eventually that fades, and we run through another couple book premises, which I won’t detail here to avoid spoilers.

With each change of pace and focus, especially as the book became more action-oriented, I cared less, and by the time we got to the last couple of these shifts, I was confused, not engaged, and sort of shellshocked, particularly by the last few chapters. I think if there were fewer twists and reveals, less action, and more swimming in the discordant life Nicholas was living and the ethical issues he and the society were wrestling with, I might have gravitated more to the story. Those were the parts I liked the most.

From a writing standpoint, this is mostly engaging and moves the plot forward at a breathless pace. To me, a lot of the dialogue, and even Nicholas’ internal monologue, felt like stuff real people wouldn’t say – very emotional, very on point, almost always with high emotion. Of course, this is a different society from ours, and maybe they all just talk like that, at what must be a very high decibel level, but I would have liked some more real-seeming conversations rather than the melodramatic line readings we often got here.

Nicholas also has a tendency to fly into impulsive and kinda stupid actions, which was frustrating, and rather than getting smarter as the book went on, he mostly lost agency, getting swept along by others. The emergence of a ton of weird tech in the second half of the book, much of it weapons-based, was unexpected and a little hard to follow, and a lot of it seemed to appear right when the plot needed it. There’s a stretch where I swear it seemed like I was reading descriptions of anime movie battles, which is not where I thought this was headed.

The present tense first person is immediate and active and engaging, although I personally find it a little harder to read than past tense, and it wavered at a couple points when there was backstory to reveal. The book is mostly edited well except that there are tons of comma splices in here. Probably at least a hundred (literally), maybe more. There were often two on a page, sometimes two in a paragraph. Not something that all readers would notice, but it clanked every time I hit one.

A minor worldbuilding quibble – if everybody has a normal first name and a last name that’s the district they live in, and if everybody has a common, normal English name (as they do here), I would think you’d run out of those names pretty fast, well before you ran out of people to name. Maybe we just didn’t see the folks named stuff like Brphs and Spkrdink, but I didn’t really see how this could work. Also, even in impoverished places, people find wonderful things to do with the limited food resources they have, so I thought the cube-eating masses would have come up with all sorts of casseroles, stews, kebabs, and other dishes. That’s hinted at in a couple spots, but I felt like a lot of the poor here were at times more Dickensian poor, wearing big “I’m a victim” signs, rather than people who loved and lived.

Where the book worked well was in exploring the ethics of a society with extreme economic stratification – how people live with themselves with either privilege or hardship, and what it does to people in those situations. There were also a bunch of moral dilemmas and hazards, where at times people were forced into heroic sacrifices that seemed real. Great stuff there. We only really got a good sense of how two of the social strata live, and really only one in detail (the one Nicholas joins in disguise). As I felt with Hunger Games, I’d have liked to have a better idea how it all came together rather than the broad primary color strokes I got to see that provoked more questions than answers.

Summation

There is no shortage of creativity here, and Patterson dives right into some really neat, thorny ethical issues, the kind of issues which are at the beating heart of some of the best sci fi ever written. Where I might have written a slower book, exploring those deep issues in more detail, Patterson went a different way, with action and excitement and lots of twists. That’s a totally valid path to choose – it’s his book after all! – and the action rips a frenetic pace, but where the story did wrestle with those harder moral things, I think it was at its strongest, at least for me. I’d have liked to see more of that and fewer robot fights with glowy weapons.

SPSFC#4 Quarterfinalist Review: The Ghost Gun by Gareth Lewis

February 24, 2025 / Dave / 0 Comments

This is my second review of a full read for the Peripheral Prospectors judging team for SPSFC#4. For more information about the team and our progress, please go to the team update page here.

The book is The Ghost Gun by Gareth Lewis (author site here). The book is available from a wide variety of retailers.

Blurb

The Ghost Gun kills what it hits, its ghost bullets ensnaring the victim’s soul to their killer.

Except that nothing is that simple.

Certainly not an apparently simple theft that leads detectives into a war between secret societies over artifacts which have been around for millennia, their origin unknown, their abilities inexplicable.

Demoted to Vice due to departmental politics, Detective Cassie Kinsala sees an opportunity to restore her career path. But what looks like it might offer a decent arrest soon turns into a quagmire the law might not cover, and might not protect her from.

Jimmy Bancroft used to be a cop. Working for the other side lets him avoid paperwork. Investigating rumours of a competitor moving in on his employer’s interests, he becomes entangled in a war between criminals and a secret society. And someone might be trying to set him up.

My Review

This is an engaging book with a fun central concept, some great buddy-cop dialogue, some hard-core criminal intrigue, and three highly memorable characters.

Plot and Characters

I don’t generally want to spoil stuff when I review, but a lot of the plot setup is in the blurb above, and much of it is revealed in the opening few chapters. There’s a Ghost Gun, a weapon that steals souls. There are shadowy groups – criminals, technologists, cults, splinter cults – all pursuing this gun and the other artifacts like it.

Set against or amongst those shadows, there are three hard-boiled cops, one (Cassie) a battered idealist, one (Harry) who’s mostly given up, and one (Jimmy) who’s come unmoored and switched sides. They each have different approaches to the case of the gun stemming from their own moral codes and from their own history of injury or failure or ambition. As they each learn more about the weird situation they’ve been thrust into, or thrust themselves into, they respond in authentic, logical, deductive ways, as befit detectives.

My Thoughts

This is an exciting book. It is one of our shorter ones in our group, and it is paced well, giving new information into plot, characters, and mysteries in nearly every chapter. The plot feels fresh and follows a central mystery – what this gun is, what it does, how it works, and who the weird groups are who are trying to control and exploit it. There are a LOT of cop-show-style gun battles, some exciting, some tragic, some magic. Even where the book wanders into some tropey places, it maintains a newness and an energy that give life and imagination to those tropes.

The big strength of the book for me is the dialogue between cops (or ex-cops). It’s real, grounded, and a lot of fun. These are characters on various stages of the road toward bitterness and resignation, and they talk with intelligence, sass, and mutual admiration laced with sarcasm. That never stops being fun.

“I’m not dumb enough to shoot a cop.”

“I’m unconvinced as to your level of dumbness.”

For me, the setting was indistinct from the start, despite its familiarity, and it didn’t gel even pretty far into the book. I was imagining a near-future world – not quite Neuromancer, but on the way there. I was wrong, I think. There are mentions of Netflix and Google, which anchor it in the present, and there are cell phones with SIM cards. There’s no technology that seems too far out there (although one character seeming to think something was a complex hologram led me to think such things existed in this world).

The location was fuzzy, too. The cops’ language is often British flavored, with plural verbs for corporations or organizations (e.g. sentences like “Coca-Cola have started a new advertising campaign”) and with some Britishisms, although the police ranks and roles seemed American. The character names were suited to either an American or British setting. For a long time, I knew only that it wasn’t Russia, because there was a reference to a Russian district. I thought it might be some indistinct future city. It wasn’t until 85% of the way through the book that somebody mentions this stuff happening “in an American city.” Still unnamed, but at least I knew it was America for sure for the last few chapters.

There was one big piece of fuzziness in the characters, too. One of the detectives was referred to as Black by another about halfway through the book. Her race is never mentioned before or after, and there’s no discussion of how it’s impacted her life or career. There didn’t need to be such discussion, of course, but it was strange not to know, and I think racism might realistically have been a frame for her troubles at the department – not necessarily one she’d personally put blame on, but one she’d likely consider. I had to reread that part to make sure they were talking about the same person and not a new detective. I guess the surname Kinsala might have been a tip, but not one I picked up on.

There were a small number of editing issues. Nothing major (like, maybe ten instances), and certainly no more than you’d see in a traditionally published book, but my author eye sees these in others’ work while somehow remaining tragically blind to them in my own. The perspective was at times a little floaty. Most of the scenes are squarely in the perspective of a single character, one of the major three, but when they get together, it occasionally pans out to omniscient, and we get inner thoughts from multiple characters in the same scene, sometimes alternating by paragraph. It works here, because we’ve spent time in these characters’ heads and they’re familiar, and it’s a valid choice of construction, but it is something we’re often taught to avoid in writing seminars.

There were a small set of moments that felt info-dumpy, especially a conversation with a lore-rich elder, but that’s hard to avoid in a story where the main characters don’t know how things work. I didn’t have a problem with it even as I saw it happening. There was an experimentation scene that seemed natural, and it had an outcome that was pretty funny and lasted for much of the rest of the book.

There’s a clear story arc here that ends within the book, even though this seems to be a series, with the plucky and intrepid Detective Kinsala carrying on the story in future books. Although the central conflict was resolved, I felt like a lot of things were still in motion, including a not-too-subtle teaser for the next book. That’s the nature of series, I guess, but I might have liked to have more of it nailed down – another scene a week later, maybe, to see how the characters are coping, would have been enough.

This being a sci-fi competition, I should acknowledge that there wasn’t a lot of traditional sci-fi here. It is totally (and gloriously) speculative fiction, but there aren’t many strictly sci-fi parts. That quibble is not at all relevant to the book, which does what it is trying to do very well, but it might be relevant to the competition.

I realize I’ve now done a thing I hate in reviews as an author, where I’ve written two positive paragraphs and then five or six nit-picky ones. I absolutely don’t mean to give an impression I didn’t like this book – I did, and the promise I saw in it in the opening slush read in the competition was paid off in the full book. I really enjoyed the characters – I found them real, flawed, struggling, and entertaining to follow. I’d totally be down to follow Cassie Kinsala through further adventures. The ghostly artifacts were neat, and the rules they followed and the unintended impacts they caused were creative and fun.

Summation

In summary, then, this was a good, creative book that kept me entertained throughout. It has a cynical but realistic-seeming view of the police and what challenges people face during a long and grinding career. It has great, snappy dialogue, both in the banter and in the more serious conversations. It tells you what you need in terms of world-building without wading too deep into it to the point of getting dull or pedantic. Lewis is an imaginative, skilled author. He has a ton of books out, starting over fifteen years ago, so there’s a lot there to dig into.

SPSFC#4 Quarterfinalist Review: Wakers of the Cryocrypt by Nathan Kuzack

February 9, 2025 / Dave / 2 Comments

This is my first review of a full read for the Peripheral Prospectors judging team for SPSFC#4. For more information about the team and our progress, please go to the team update page here.

The book is Wakers of the Cryocrypt by Nathan Kuzack (author site here). Nathan is offering this book for free through Google Books here. It’s also available on Amazon and Apple Books.

Blurb

A thought-provoking post-apocalyptic story about an unexpected reunion between humankind and the AIs it created.

In a world full of living machines one man may die… again.

The future. The human race is extinct. Earth is ruled by eltecs, descendants of the AIs humans created before their demise.

While searching for prehistoric cave paintings, two eltec explorers discover a hidden cryogenic crypt containing 23 perfectly preserved human bodies frozen inside crystal columns.

As eltec society argues over who might have built the crypt and what to do with it, one of its occupants is restored to life. Human beings are no longer extinct, but, for reasons of their own, not every eltec wants to see them come back. The only living human on Earth is in terrible danger.

My review

I enjoyed my time with this book. It was creative, exciting, featured a richly-imagined future world, and dealt with moral and ethical issues in an interesting way.

Plot and Characters

The story centers on several main characters, adopting their point of view or an omniscient point of view at various points. The human protagonist is a man given the name Lazarus. He awakes from a mysterious tomb (the cryocrypt) into a far-future, post-human world populated by sentient robots called Eltecs.

The Eltecs, descendants of human robotics and AI technology, live in a low-population utopian society goverened by a set of uber-intelligences. Even in their utopian future, they are factionalists. Some are fans of humanity, adopting human-like form and wearing clothes. Others are anti-humanity, adopting odd and unnatural shapes. All are protected from death by a cloning system that recreates and reloads them if they are destroyed, a la Paranoia.

Humanity has been dead for over ten thousand years, so the discovery of Laz and twenty-two other humans in the crypt, perfectly preserved, is a tremendously significant event. The Eltecs frequently cluck their steely tongues at humanity’s base, self-destructive instincts that led humanity to perish in an environmental and political cataclysm leading to a nuclear war long ago.

Thrust into this odd society, like an 18th-century savage brought back by colonialist explorers, Laz struggles to learn and adjust. He is afflicted by a mysterious amnesia, which prevents him from remembering his past life, although he seems well-versed in 21st century society and customs.

All of the above is established quickly, in the first few chapters, and the rest of the book is a tale, sometimes political, sometimes introspective, sometimes high-octane adventure, of Laz struggling to figure out who he is, why and how he was placed in this crypt, and how he will fit into Eltec society. His Eltec allies are often perspective characters, and their musings on Laz and their own society are interesting and robust. I don’t want to spoil the plot, which is fun, so I will leave the plot summary there.

My thoughts

As I was reading this, I was reminded a great deal of the many original-series Star Trek episodes where Kirk and Bones and Spock discover a planet living with very different social rules, often derived from 20th century America. Our brave Starfleet visitors have to figure out how the society works, and often what is wrong with it, before judging them, punching some people, kissing others, and flying away 43 minutes later. This absolutely isn’t a diss – I loved those episodes – but there’s a parallel there.

I was also reminded of fables or parables, stories told to explore moral issues. There’s a lot of judginess in many of the characters, and moral flaws and collective guilt are frequent concerns. The language of the book fits this style as well, with characters often ruminating about the sins of the past (or present), sometimes in bold declarative sentences.

To me, the main character’s amnesia didn’t seem necessary, although it’s explained and justified as the story progresses. It was a little tropey, and I don’t think the story would have been too different had he known he were a blacksmith or a baker or whatever. It did give him a constant sense of not knowing himself, which worked, but it also made him a limited character. There are books and shows where that trope is used better, The Bourne Identity being a big one, where hidden skills and connections are discovered, but Laz didn’t seem to have any of these. A new TV show I like, Doc, has amnesia as a central theme, and even though it’s a cheesy plot device, they’re deploying it well and capitalizing on the main character’s alienation from her past self as she learns more about it.

The book got more action-packed as it went on, which was fine and exciting, but the main human character lacked agency and control throughout the whole thing, leaving him subject to the manipulations and machinations (get it?) of his tormentors. The ending, in particular, seemed like a place where he and his friends were far more spectators than protagonists, and I wasn’t a big fan of that choice. This was the book’s biggest disappointment for me, although as an author, I certainly know it can be hard to stick the landing. I actually thought the Eltec characters, especially Shulvara, were more both more interesting and more capable characters, and I’d have preferred to spend more time in their chrome crania rather than in Laz’s largely empty one.

One quibble for me was the Eltec society and speech. Despite being robots from the future, they spoke very much like 21st-century humans, even to the point of using “gonna” and “wanna” frequently, which grated. They also used 21st-century idioms frequently (e.g. something up my sleeve) which seemed out of place for sentient robots in the 33rd century. Their culture and personalities were also very human-seeming, which added to the Star Trek/parable feel but which seemed a little jarring to me, who would expect the Eltec society to have evolved into something more different in 12,000 years.

There was also some odd fixation on sex, even from the robots, and some repeated male gaze from Laz towards a fellow crypt resident. Even the robots got into ogling people sometimes, apparently totally on board with a 21st-century standard of Hot-or-Not. I’m not a prude at all, but this seemed out of place. It totally wasn’t a big deal, not frequent, and didn’t detract, but the few mentions of orgasms and cocks and lust and such didn’t (for me) fit the nature or tone of the rest of the story, which was closer to classic sci-fi and focused on other, cooler things.

The POV was not quite fixed, sometimes restricted to one character, sometimes omniscient with thoughts from all of them, sometimes party to observing events none of the main characters could see, and it sometimes floated from one to the other within a paragraph or two. It was a little fuzzy – not bad, but as an author who worries about that stuff, I couldn’t help but take note.

Summation

This was a good book, often exciting, thought-provoking, funny, and emotional, with a creative future world to explore and a lot of moral questions to think about. Kuzack should be proud of what he’s done with it. It well-deserves its quarterfinal spot in the SPSFC. Because it’s the first of our quarterfinalists I’ve read, I don’t have a real sense of how it will stack up against those others, but I recommend it, especially if you liked those old Star Trek morality plays.

Notes on the departing books – SPSFC #4

January 14, 2025 / Dave / 1 Comment

This year, I’m on the Peripheral Prospectors team as a judge for SPSFC. We’ve recently announced our six quarterfinalists, as you can see in this post with more information and previous posts available on the team page here.

I’ve been a participant twice before, in 2021-22 (Daros) and 2023-24 (Kenai). I’ve been in SPFBO four times, I’ve done BBNYA twice, and I’ve entered another couple contests. Although I’ve met with success in some of these contests, I have also at times exited (very) early, and I absolutely know how much that stings.

In that spirit, I thought I’d share what I liked about each of the books I read that didn’t progress beyond this stage. Our judging team of five split our 31 submissions into two groups, with each judge assigned to one group or the other. For each of these books, I read the opening chapters, usually 20 percent or so, which is the expectation for the “scout phase” of the competition. So, these comments (and the quarterfinalist status) aren’t based on the whole book in my case, although some of the books below got full reads by the other judges.

I’m not including any critiques or problems I might have had with the books, because that’s not the point of this post. I’m just looking to celebrate and highlight these books and authors as they depart the competition.

309

This had an exciting opening with definite alien invasion vibes. The characters had strong voices and personalities, and the invasion and mysteries were intriguing. The story has a good old-school sci fi vibe – I was reminded of H.G. Wells’ War of the Worlds, with all the tension and horror that scenario provides.

Battle Calm

This book quickly established a world at war with a merciless foe along with a band of rebels fraught with their own internal conflicts. The dialogue was snappy and emotions were high, with a number of mysteries (both past and future) set out for the narrative to unwind. The nature and behavior of the enemy here was creative and interesting, and the hierarchy and mistrust in the human forces was tense and at the breaking point nearly immediately. The desperate situation of the main character at the opening was a good way to introduce all of this.

Chasing Naomi

I really enjoyed my time with this one. It had a fundamental goofiness and high-concept spirit that worked for me. The main character was plucky and appealing, and the ship and ghost-people picking her up were fun and funny. Because of the scout stage partial read, I didn’t get far enough to see where it was all headed, but it had a bunch of tropes I enjoyed – fish out of water human among advanced non-Earthlings, a la Hitchhiker’s Guide, sassy ship’s computer, space battles, negotiations and laws, superhero-ish main character discovering her powers.

Children of the Fall

This was a hyperviolent, breakneck pace view of a future dystopian world. Some very creepy scenes with artificial people gone bad, and some zombie-flick-style action with hapless humans facing killer beings. The main character’s worries about battery life were a great way to add tension. There was also some really interesting use of language here – words, phrases, and images that were used in ways that were unexpected and thought-provoking.

The Dream of the Forest

The opening scenes here are a quick contrast – a loving couple (actively loving, if you know what I mean) with high status, wealth, and privilege, although in a restrictive society with some draconian rules. Immediately, there’s a bitter, awful betrayal, one impacted by those draconian rules and designed to exploit the high status, throwing everything into turmoil. It’s a raw, emotional opening, promising high stakes throughout.

Eye of Destiny

This was a two-sides story, with one side being young humans whose father is caught up in mysterious research, and the other being an alien menace to all of humanity. The human characters had clear, established relationships, and the growing sense of something wrong on Earth, with exploration and discovery, was engaging, promising higher stakes to come. To me, it kind of read like a dystopian future story targeting the young adult market, maybe like Divergent or Maze Runner, although with an Earth much closer to our real Earth than in those stories.

The First Herald

I liked this one and enjoyed my time with it. There was a strongly hierarchical dystopian future, with a strong undercurrent of family politics and conflicts, with people operating at many different levels in society. The future world was interesting and compelling, clearly having a lot of planning and thought behind it. The dialogue and writing were engaging, and the mystery and conspiracy afoot were intriguing, with hints of an equally complex counter-culture full of rebels (and backstabbing too).

Hauler

This book had a ton of charm, with an everyman protagonist constantly struggling with a system that wants to hold him down and exploit him, not always making the best decisions, but aware that he is not, which is fun. The growing danger and entanglement were handled well, and there’s also a lot of humor and colorful characters as this one progresses. I could totally see this as a goofy sci-fi movie, probably starring a pro wrestler.

Horizon

This book opened with a tremendous space battle full of panic, despair, and violence. Really dramatic beginning. The book moved on to the aftermath of that disaster, and you get a better sense of the setting, the conflict, and the characters involved, all of whom are brimming with emotion and tension. Lots of action here, and squarely in the tradition of a future with warring ships and a bigger universe to explore.

Mushroom Blues

This was a really, really interesting book, very well written, with a complex society reminiscent of colonial powers and resistance struggles on Earth, but set somewhere else, an imagined non-Earth but very Earth-like place. Adding to the weirdness is the fact that the subjugated people are fungal organisms, although they have many human (and relatable) characteristics and emotions and desires. The vibe is 20th-century hard-boiled detective, which works well, and the dialogue is real-seeming and the pace taut and exciting while sometimes taking pauses for some neat imagery and reflection on the gritty world. This one was hard to categorize – it’s doing well in SPFBO, although some of the judges there are wrestling with whether it’s fantasy (see here). Similarly, we wrestled with whether it’s sci-fi – there’s a scientific basis for the mushroom people’s biology and weird powers, but (at least in the opening I read) there’s not advanced human tech or spaceships or that kind of sci-fi staple, nor is there a future setting – just an alternate Earthlike world where mushroom people exist along with humans. Regardless of the categorization, it’s undeniably a good book, well-written and tremendously creative.

Non-Conscious

I liked this one. It was definitely quirky and coarse, with a lot of crass humor, sex, and language you’d never use in front of your grandma. The premise of a vibrant computer game world with real-world corporate workers running it is not new, but it’s fresh and intriguing here, milking the computer game scenario (and the power and control the corporate workers have in it) for all those tasty plot bits and also having a desolate, confining, dysfunctional corporate and workplace structure with pissed off people taking shots at each other. A lot of imagination went into this, and if you can abide the rawness of the sex talk (and sex scenes) and profanity, you’ll find something to chew on inside.

Use of Emergency

I liked this one a lot – it had a great set-up with a plucky heroine bucking an unfair system, finding a way through impassable societal and career barriers even if she has to bend the rules. The sleeper-ship scenario was well-described and seemed real and authentic, and (unlike many of these entries) I found the protagonist relatable, fun, and easy to cheer for, and the mystery that was just getting started in the part I read was engaging and juicy.

The Widow’s Tithe

I enjoyed my time with this one too. It had a very high-concept setup, full of future media celebrities, gunfights, megacorps, and bullets-flying action. You’re quickly aware here that everybody is a bit of a caricature, like in 1980’s sci fi movies, but it works (just as it often did in those). The reality-TV military commando squad might not be realistic, but it’s fun, and the catty, egotistical, self-absorbed main character is fun to watch as she navigates a huge setback and a new life full of trials. You’ll know quickly if you’re going to like it, and if you go for this kind of thing, it seems likely to pay off.